New Writing South works in partnership with West Dean College of Arts and Conservation, supporting them to encompass a wider range of writers in their on-going Writers-in Residence (WiR) programme with the aim of diversifying opportunities for current and future writing students and for visiting writers. Curated by New Writing South, the New Writing South/West Dean residency programme seeks to challenge under-representation of Black and Asian British writers in the literary world by offering six West Dean residency opportunities across the academic year to writers of colour.
Potential residents are invited to take up the opportunity following a research and selection process by New Writing South in discussion with West Dean College. Booker Prize long-listed novelist, Yvvette Edwards, was our first writer in residence as part of this new partnership, resident at the College in November 2020 for one week.
Subsequent residents for autumn 2021 include Dagger Award-winning crime writer Amer Anwar in September and poet, broadcaster, novelist and activist Salena Godden in November 2021.
Writers in Residence for 2022 include Courttia Newland and Kia Abdullah.
For further information on West Dean College of Arts and Conservation, please visit
Writers in Residence for 2022
About Kia Abdullah
Kia Abdullah is the author of three courtroom dramas: Take It Back, a Guardian and Telegraph thriller of the year; Truth Be Told, which was shortlisted for a Diverse Book Award; and Next of Kin, a Times Book of the Month. She has won a JB Priestley Award for Writers of Promise and has written for The New York Times, Guardian, FT, Times, Telegraph and the BBC among others. kiaabdullah.com
About Courttia Newland
Photo: Sharron Wallace
Courttia Newland has published nine works of fiction, including his debut, The Scholar. His latest collection of speculative fiction stories, Cosmogramma, was published in 2021 by Canongate (UK) and Akashic Books (US). Newland’s short stories have appeared in many anthologies, broadcast on BBC Radio 4 and included in Best of British Short Stories 2017. He has been awarded the Tayner Barbers Award for science fiction writing and the Roland Rees Bursary for playwriting. He holds a PhD in creative writing and was previously associate lecturer at the University of Westminster. As a screenwriter he has co-written two feature length films for the Steve McQueen BBC series Small Axe, of which Lovers Rock was jury selected for Cannes, and opened New York Film Fest 2020. Small Axe won the LA Critics Circle award 2020 for Best Picture. Impact, an original feature, is currently in development with Film Four and The Future Isn’t What It Used to Be, a science fiction short, is part of their science fiction strand, 4sight.
Courttia Newland’s residency has been postponed until autumn 2022.
Writers in Residence for 2021
About Yvvette Edwards
Yvvette Edwards is a British East Londoner of Montserratian origin and author of two novels, A Cupboard Full of Coats and The Mother, as well as a number of short stories which have been published in anthologies and broadcast on radio. She is particularly interested in writing that challenges the single narrative, giving voice to characters who are absent or under-represented in contemporary fiction. Her work has been nominated for a number of literary awards including the Commonwealth Writers’ Prize and the Man Booker Prize.
Read Yvvette Edwards’ blog about her week at West Dean here:
About Amer Anwar
Amer Anwar grew up in West London. After leaving college he had a variety of jobs, including; warehouse assistant, comic book lettering artist, driver for emergency doctors and chalet rep in the French Alps. He eventually settled into a career as a creative artworker/graphic designer and spent the next decade and a half producing artwork, mainly for the home entertainment industry. He started taking writing classes in the evenings and wrote the opening chapters of a novel which he entered for the prestigious CWA Debut Dagger competition, in order to receive his first rejection – only to win the actual award. Signing with an agent, he went on to gain an MA in Creative Writing from Birkbeck, University of London. The book took eight years to complete. After initially being rejected by over thirty publishers, it was eventually published in 2018 by Dialogue Books. Brothers in Blood, Amer’s critically acclaimed debut thriller, went on to be picked by both the Times and the Guardian as one of the books of the year.
The eagerly awaited follow-up, Stone Cold Trouble, was published in September 2020 and was a Times, Observer and Living Magazine Thriller of the Month and a Sunday Times Crime Club pick of the month.
You can find out more about Amer at
or on social media
About Salena Godden
Salena Godden is a high-profile poet based in London. She is also an activist, broadcaster, essayist and memoirist whose work has been widely anthologised. She has had several volumes of poetry published including Under The Pier (Nasty Little Press) Fishing in the Aftermath: Poems 1994-2014 (Burning Eye Books) Pessimism is for Lightweights – 13 Pieces of Courage and Resistance (Rough Trade Books) and a literary childhood memoir, Springfield Road (Unbound).
Her poem Pessimism is for Lightweights was donated to The People’s History Museum, Manchester, where it is now on permanent display. The work was unveiled in February 2020 to mark the museum’s 10th birthday. She has recorded several albums, most recently her spoken-word album LIVEwire (Nymphs and Thugs) which was shortlisted for the Ted Hughes Award.
Canongate pre-empted world rights to her debut novel Mrs Death Misses Death. A documentary following the work-in-progress over 12 months was broadcast on BBC Radio 4. Mrs Death Misses Death has been described by the publisher as an “electrifying genre- and form-defying firestarter.” – Described in The Bookseller as “an original, exuberant novel, freewheeling from prose to poetry to non-fiction…truly one of a kind – don’t miss”, and chosen as a Fiction Editors Choice.