Projects to date
2008
Open Script Surgery
led by Tony Milner
Writing for One
The art of creating solo drama
with George Dillon and Chris Stagg
Writing for Radio
A six session course, with individual surgeries, led by BBC Radio
director and producer David Hitchinson. The
course guides writers to:
- develop an original radio idea into a polished first draft
- receive individual feedback
- be part of a supportive and focused group.
- hear their script read by professional actors
- gain insider knowledge of radio drama opportunities
- hone their craft of writing for radio
- receive advice of how to take the work into the market.
This really was one of the
best courses I've attended - it represents fantastic value for
money. (2008 participant).
This course provided
me with the support and contacts to break into radio drama. (2006
participant)
Next course starts Autum 2009, led by Gordon
House.
Know Your Copyrights!
With Madeline
Hutchins (March)
A
session on important copyright issues
that effect all creative writers. Participants were given
an invaluable workbook on the subject.
NWS Book Launch
East Sussex writer Vanessa Gebbie's debut collection of short
stories, Words from a Glass Bubble.
Successful Crime Writing
Led by Sue Walker
A course for writers interested in crime writing who
seriously want to be published. The sessions covered story
structure and architecture, character, dialogue and location
- all pivotal tools in building plot. Participants were
shown how to write a foolproof synopsis and finished the course
with your first few chapters complete. Sue included
essentials about the business of publishing
including: successul pitching, writing a biography and packaging
yourself and your work.
Writing Erotic Fiction
Led by Kay Sexton
From a work of erotic literature,
to a scene in a murder mystery, a
five session evening course on how to master the genre - from
the simply sensual to the downright dirty!
2007
Great! But was it any Good?
Disability Arts Critical Writing Masterclasses
Autumn 2007
New Writing South was invited by Arts Council London and DAO to
run two masterclasses for artists and writers working in Disability
Arts. These
masterclasses were organised in part to test the
water as to how an organisation like New Writing South could
work collaboratively with DAO and
the Disability Arts sector. It has transpired to be an extremely fruitful
partnership, resulting in excellent skills-sharing and greater understanding
on both sides. We feel that everyone involved learned
a great deal. Click here for the
full report.
Postcards from the Edge
In September BBC Radio Kent/New Writing South hosted the POSTCARDS
FROM THE EDGE Roadshow, capturing people's Kent memories and impressions
on postcards, from five places on the Kent coast. The project
commissioned ten new monolgues from writers Noel Greig and Peggy Riley.
Writing for a Living
Fifteen homeless or otherwise excluded
writers particpated in this twelve-week course
with New Writing South. 'Writing for a Living' covered writing
for radio, journalism, turning experience into fiction, editing
and presentation skills. This
twelve week course aimed to develop writing skills
and demonstrated how it is possible to earn a living as a writer.
Led
by Dominique
De Light and Vanessa Gebbie guest
speakers and workshop leaders will include Alexander
Masters, BBC Radio, Radio
Reverb, Argus Newspapers and others. Writing for a Living was supported by the Global Grant Scheme
administered by brighton and Hove City Council.
Points of Play
A series of nine playwrighting workshops led by leading writers,
directors and literary managers to compliment and inspire the
development of a new play.
1.
Ideas, Inspiration and Intent
A workshop to help generate the idea
for your next play.
2.
Finding
the Story
Planning, plotting, situation and story JACK
BRADLEY, Literary Manager at the National Theatre
3. Crafting
Characters that Breathe
Led
by playwright CHLOE MOSS
4.
Form and Structure Led
by MARK WHEATLEY
5.
Entrances and Endings
Looking
at beginnings and endings
of scenes and the tha play
as a whole. Led by FRANCES
STIRK, Literary
Manager, Hampstead Theatre.
6. Dazzling
Dialogue
Led
by TESSA
WALKER
7. So
What's my
Play About?
A
look at themes
and issues
led by KEN
CHRISTIANSEN
8. July
2007 Editing & Redrafting
Finding
the bigger
picture led
by DIANE
SAMUELS
9. D.I.Y
The Writer as the Producer. Let's start HERE.
2006
South Specific 2
A Few Thoughts on Happiness
As the government set up a working party to measure and define
the effect of well being and happiness on society New Writing
South and Farnham Maltings combined forces to theatrically
delve into the concepts of HAPPINESS.
The aim was for writers to work with Gavin Stride and create a number of
versatile short pieces that could be performed as curtain raisers
in venues or at other events. Six Writers: Heather
Dunmore, Jane George, Christine Harmer Brown, Nick Owen, Sean
Tyler and Matthew Wilkie created ten works. They were workshopped
and scratch performed at The Nightingale Theatre Brighton and
are now available.
Rehearsed Readings:
September 2006
Colonel Sir Victor
Barker Bart. DSO
written and directed by Michael Bell
Set in the 1930s Michaels play traces the life of Victor
Barker, a real life woman who lived in Brighton as a man for forty years.
July 2006
The
Bootmakers Daughter by Chris Dixon
Inside Out by Trevor
Harvey (With
Celebrating Age)
June 2006
The
Wrong Kind of Love by David
Allen
May 2006
Husbandry on K by
Mike Sells
What the People
Want by
Kefi Chadwick
Invisible by Louise
Monaghan
Inside Out by Trevor
Harvey
Introduction
to Screen Writing
led by Julie
Everton
Introduction to Playwrighting
Led by Anna
McGrail
Four week course Autumn 2006
Writing Short Stories
led by Catherine
Smith
Four week course Autumn 2006
Writing for Radio
led by Gordon
House
Eight week
course Autumn 2006
New Writing South